Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.

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Gene Grabiner


the beginning of the "NO"



Knights without armor
scrounge rubble. Weld trash
for chamfrons, crinets, tasses, cuirasses;
are told it’s tough.  That’s just
war, baby.
Grail Knights without a quest

on another false crusade
as all crusades were false;
in that old land, that cradle land.
Still, not enough

have learned what comes
when Valkyries choose
fake heroes who so much like Joshua

salt the earth, this time
with depleted uranium.
Some awaken to the bad deal

the recruiter sold like a bad Ford
that clunks, burns oil and shudders
down the Baghdad road.
How to go to college
or Valhalla in that

awful special tribute of the
tri-fold flag and pomp.
Formalized and useless

tragedies of broken families
mirror Ali. Ali who in the press
forever holds out burnt-off stumps

to me; measure of our success, reflected
in that other mirror of crushed walls,
poisoned wells and burnt over

wadis, in those deepest dark eyes.




the beginning of the "NO"


Knights without armor
scrounge rubble. Weld trash
for chamfrons, crinets, tasses, cuirasses;
are told it’s tough, baby.  
That’s just war, baby.
Grail Knights without a quest
on another false crusade
as all crusades were false;
in that old land, that cradle land.
Still, not enough
have learned what comes
when Valkyries choose
fake heroes who so much like Joshua
salt the earth, this time
with depleted uranium.
Some awaken to the bad deal
the recruiter sold like a bad Ford
that clunks, burns oil and shudders
down the Baghdad road.
How to go to college
or Valhalla in that
awful special tribute of the
tri-fold flag and pomp.
Formalized and useless
tragedies of broken families,
mirror Ali. Ali who in the press
forever holds out burnt-off stumps
to me; measure of our success, reflected
in that other mirror of crushed walls,
poisoned wells, yellow rivers and burnt over
wadis, in those deepest dark eyes.





On Our Hands


ON OUR HANDS


We had already dreamed September 11—
our original dream of Ground Zero.

The airburst that melted the eyes of those who looked on August 6.
The glowing plasma globe, the hotter than star-hot

globe that burned shadows in the Aioi Bridge,
fettered ghosts in concrete: Industrial Promotion Hall as hypocenter,
today’s skeleton dome.

The blinded, the tattooed, all those stamped with bar code
simulacra, their brands

a syncretism of skin ribbons, cataracts. Hair clumps
floating down the boiling Ota: So many toro-nagashi lanterns on holiday.

We had already dreamed September 11 that other September in Chile,
when memories of Nazi triangles
appeared in the red, yellow and black discs
on those herded
into the National Stadium: An amphitheater marked

with screams.

We dreamed the airplane-bombs when
we dreamed this dream for El Salvador, a twelve year dream of bodies

spinning downstream en el Río Lempa, or by the roadside, or thousands
disappeared: An American echo for all of the Americas,

kept in reserve for America’s cities.

This is the dream of strategic hamlets.
This is the dream of My Lai.
This is the dream of sanctions, of starved Iraqi children.
We had already dreamed September 11.
We dreamed their flight

from the 101st floor windows, the 102nd floor
windows as the plane-bombs pancaked the towers,
our own dream of crematoria: Collapsing belching ashes all over
cars and sidewalks and macadam and café awnings
and these incinerator ashes caught
in the ridges of cops’ soles,
the soles of firefighters’ steel-toed rubber boots;  as they all ran to vanish

in the snarling cloud.

While the stripped girders of the towers blindly pointed, we who cleaned came after—

crunched a sternum here a cranium there.  

And we breathed them,
walked among them, on them: All the gray and burned patina,
the smell of death so stiff it shoves wide the nostrils
of all who tour the blowing graveyard,

all the graveyards.

These are links in our very own Jacob Marley chain: The chain we daily forge,
daily drag, rattling

in every port and hillside, through banana groves and coffee plantations,

through sweet oil sands.


















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