Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.

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Alicia Hoffman

Alicia Hoffman currently teaches English at Bishop Kearney High School in Rochester, New York.  Her poetry has been recently published in the following print and electronic journals:  Poetry Midwest, Whimperbang, The Flask Review, Red Wheelbarrow, Remark, and Redactions: Poetry and Poetics.


Coal

This is backwoods West Virginia,
where roads twist and snake, past

and present converge on corner lots,
ramshackle trailers run past

New River Gorge
to long deserted mining towns

founded on coal and steam, businessmen
and bankers, hoteliers and

harlots all full of soot, the moneyed dream
of C & O railway and beyond

Fayette County, the rapids
are a distant roar mistaken

by this northerner for traffic.
It’s a pleasant surprise, the air

sweet with honeysuckle,
the mountains ripe at dusk.

On the tracks, you stoop, grasp
a lump of coal in your hand,

toss it to drown in white water,
foaming and hungry for something.

I find my own black clump
littered along the track, and

if I were not so small against
the backdrop of a mammoth hill

(Pinocchio in the belly of the whale)
and if Appalachia lore did not whisper

hope and loss through the brick
of this building abandoned by the behemoth

of time, and if I never met your nascent uncle, that hillbilly raconteur, conjurer

of family prosperity gone bad, the legerdemain of black lung, your father’s

untimely demise, it would have never ended up here, for I would have done the same.  

But now it is here, where we are,
and because of that, this

insignificant earth glistens
with what it has taken, sweats

with the compacted life it has given
and it has given up. This is what burns,

what heats, what steals and kills.  
This is what creates.  Now, I want to fill

the entire Modern Museum of Art
with coal, I want coal tumbling

out of third floor windows, I want
installations of small flecks of coal

hanging on the walls of white rooms.
I want to hand coal to strangers

fighting in wars I don’t approve
and I want to fling coal

at sleeping people on the bus.  This
is a gift, I’ll say – here, don’t burn it,

don’t you see – this carbon dated test thing is your last breath, so brittle you could

crumble it between your teeth, take a chunk, though save it for now, for now it is yours.


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